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Lorena Carbajal (Argentina)
 "Lorena Carbajal, On how memories are stored, 2008, Courtesy of the artist")
Studio 14
12 July to 30 August 2009
Mix-media, installation, photography, projections, video, collage
Charles Landry states in the article The dilemma of crossing cultures (page 28), Engage n* 13, Art Magazine, "We live in an age of cultural crossovers, hybrids and fusions, brought about by mass mobility and the process of globalization". Carbajal's work is placed on the border of this web of cultural crossovers, where ideas such as migration, place, distance, homeland, memory and foreignness, all meet. Based in the UK but originally from Argentina, she explores the notion of migration, and the feeling of non-belonging or mixed belonging as a result of displacement. Her work often suggests a third identity or hybrid identity which is derived from the translation of one culture’s system of meaning into another’s, where the uncertainty of incompatible codes, both cultural and linguistic emerges. Language and miscommunication are other aspects of her work - using translations, misspellings and mispronounced words she investigates the gap between languages and the phenomenon of misunderstanding.
Dissecting, cutting, removing, taking out of place, exchanging and superimposing, are some of the procedures, ideas and actions involved in her practice. At times she sends the physical items of the work itself on a migratory journey, passing it through the hands, minds and decisions of other cultures and languages: Elements are added or get lost on this journey. Other times work is created simultaneously across borders, only later to be reunited. Carbajal has shown her work in various exhibitions in Argentina, Spain, England and Ireland.
The Process Room
Lorena Carbajal work can be seen in the Process Room, First Floor Galleries, IMMA, until 15 January 2006.
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