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Page Body
List of previous participants sorted in descending order by date, most recent appears first
31 May 2008 |
Danny Treacy is a photographer whose practice evolves around a number of different projects all of which involve darkness, ambiguity, intimacy and defiance as endless sources of investigation. |
29 Feb 2008 |
Mariana Silva da Silva (Brazil)
Frequently, while creating her work, Mariana Silva da Silva challenges the definition of 'coastline', a zone of contact between earth and sea. |
29 Feb 2008 |
Thai artist Phuttiphong Aroonpheng’s art practice is encounter driven. He is inspired by many documentary films that create a form of subjective storytelling. |
18 May 2008 |
Alan Phelan's practice involves the production of objects, participatory projects, curating and writing. These all inform and contribute to an interest in the narrative potential surrounding an artwork. |
01 Jan 2008 |
Through his work Yuki Okumura aims to illuminate and even reconcile the gap between the physical world itself and the work perceived by the human brain. |
31 Mar 2008 |
Seamus Nolan (Ireland)
Seamus Nolan’s practice investigates the relative value of objects and social processes as they appear within different economies and contexts. |
29 Feb 2008 |
Mark Clare consistently explores issues of social value in his work. Using video and photography to record a myriad of public interventions, Clare seeks to provoke and agitate our social conscience. |
31 Aug 2007 |
Jered Sprecher (USA)
Jered Sprecher’s studio practice is based in the diversity of visual culture. He is a hunter and a gatherer, constantly accumulating images produced by the people and cultures around him. |
31 Aug 2007 |
Richard Saxton (USA)
The core of Richard Saxton’s practice derives from an analysis and interpretation of his surrounding landscape. |
31 Aug 2007 |
Alberto Peral (Spain)
A sense of circularity impregnates the work of Alberto Peral - an idea that, although concentrating the viewer around a single point from which everything emerges, also offers the viewer the possibility of embracing, surrounding or narrowing the sense of reality. |
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