Irish Museum of Modern Art  

(External)

Level A conformance icon, W3C-WAI Web Content Accessibility Guidelines 1.0

(External) High Graphics Version  

Top Navigation 1

1.1. Home
1.2. About IMMA
1.3. Support IMMA
1.4. Contact IMMA

Top Navigation 2

2.1. What's New
2.3. Join the Mailing List

Left Navigation 3

About IMMA
    Press Office
    Heritage Programme
    Events at IMMA
    Job Opportunities
    Tenders
    Testimonials
    Annual Report
    Customer Charter
    Sustaining Progress
    Freedom of Information Act
    Prompt Payment Quarterly Returns
    National Development Plan
    Privacy Policy
    Terms and Conditions
    Refund Policy

3.1. Exhibitions
3.2. Collection
3.3. Education and Community
3.4. Artists' Residency Programme
3.5. National Programme
3.6. IMMA Online: New Developments
3.7. Events at IMMA

 

Page Body

About IMMA > Press Office

International Group Exhibition at the Irish Museum of Modern Art

An exhibition by 20 leading international artists based on the physical and conceptual processes involved in making and exhibiting art opens to the public at the Irish Museum of Modern Art on Thursday 30 November 2006.  .all hawaii eNtrées / luNar reGGae   comprises works in a wide variety of media by such cutting-edge artists as Doug Aitken, Douglas Gordon, Liam Gillick, Dominique Gonzalez-Foerster, Carsten Höller and Sarah Lucas, many being shown for the first time in Ireland. All of the artists involved have participated in researching and developing the exhibition, whose title is an anagram of the Irish and English for “new galleries”, the building in which it is being held.  The exhibition is curated by the French artist Philippe Parreno, director of the recent much-acclaimed film on the French soccer star Zinedine Zidane, and Rachael Thomas, Head of Exhibitions at IMMA. 

.all hawaii eNtrées / luNar reGGae  takes as its starting points Parreno’s fascination with different types of convergences – of past, present and future, of fact and fiction, and of memory and history – and his long-standing commitment to collaborative practice and to re-writing exhibition conventions. Works range from Ulysses’ return home to sci-fi short stories, changing how we look at an exhibition, re-adjusting our vision.  He forces his audience, and his collaborators, to revise their assumptions concerning an exhibition’s remit and scope. Many of those involved already have ongoing collaborative relationships with Parreno or with one another – in artistic practice, critical dialogue and, even, in real life.

Inspired by an observation by Michael Faraday (in a course of six lectures on the Chemical History of a Candle ) in David Deutsch’s book The Fabric of Reality that “there is no more open door by which you can enter into a study of natural philosophy than [by] considering the physical phenomena of a candle”, Parreno’s goal for the exhibition was to use its methods of display and artworks to explore the idea of light as an entity – one which alters what we see, and camouflages what we cannot. As the process of research continued, this expanded into a multi-faceted investigation of light, space and events. The exhibition includes a number of seminal pieces, such as Anri Sala’s video work Mixed Behaviour, 2003, and Fischli & Weiss’s film The Way Things Go, 1987. Several newly-commissioned works are being shown, some of which engage directly with the architecture of the building, as in Jorge Pardo’s creaking doors which fit over the Museum’s windows and Rirkrit Tirananija’s Untitled, 2006, where he creates a neon light that spells out the first four lines of a Nirvana song by Kurt Cobain.

In some cases the works are neither tangible nor visible, demonstrating the primacy of the process over the finished work. In 7.8Hz, 2006, by the German artist Carsten Höller, currently in the news for his slide installation at Tate Modern, a change of frequency in the electrical system causes all the lights to flicker at set intervals, bringing about a change in perception across the entire exhibition space and echoing Parreno’s 2003 exhibition Fade Out in which the works only became visible when the exhibition lights were switched off.

A unifying thread can be found in Parreno’s dedication to alternative models of exhibition display, in which distinctions are blurred and uncertainties cultivated. Following in the footsteps of such curatorial pioneers as the early 20th-century museum director Alexander Dorner and the artist Marcel Duchamp, he treats the exhibition as a compendium of stories contributed by each of the artists. For example, past and present come together in Douglas Gordon’s Above All Else , 1991, a re-imagining of a work presented at IMMA in the early 1990s. A ceiling painting, it subverts our expectations by replacing the cavourting angels, traditionally seen in such works, with four-foot high letters reading “We Are Evil”. This in turn is not, as one might expect, some fundamentalist dictat, but rather a football supporter’s chant overheard on a train.

Commenting on Parreno’s approach to the exhibition, co-curator Rachael Thomas said: “Over the last 15 years, Philippe Parreno had turned group and individual collaborations into an art form. Echoing Marcel Duchamp’s statement that ‘art is a game between all people of all periods’, his collaborations – which involve other artists, nature, chance, material and the viewer – redefine exhibitions as not only a display of objects but also a space of negotiation, a place where a series of games can be played.”

In the accompanying publication, which Parreno considers of equal importance to the exhibition, he again taps into the theme of optics, with recalibrated images and blurred print contributing to the overall feeling of fluidity. In addition to an essay by co-curator Rachael Thomas, the book also contains texts by the Canadian science fiction writer Cory Doctorow, the artist Liam Gillick, the British comics writer Grant Morrison, the Dutch social scientist Hans Pruijt and the American science fiction writer Kurt Vonnegut (price €49.00).

Winter Lecture
IMMA’s Winter Lecture this year takes the form of a panel discussion on Wednesday 29 November at 3.30pm, which will form a continuation of .all hawaii eNtrées / luNar reGGae . The curators and a number of the participating artists including Liam Gillick, Declan Long and Grant Morrison will explore themes such as the notion of display, exhibition making and the territory where the artist’s interests intersect with those of the curator.

Other events

Discussion: Monday 22 January 2007 at 5.00pm
The London based writer, editor and curator, Jan Shumon Basar, discussion on the ‘Professional Amateur’ will lead into the ‘Spatial Practitioner’ (someone who trespasses into alien fields of knowledge). 

Lecture: Monday 29 January 2007 at 6.00pm
Oxford quantum physicist, David Deutsch, presents a lecture entitled Why are flowers beautiful? from his new book The beginning of Infinity. 

Admission is free to all talks and lectures, but booking is essential. To book please telephone the automatic booking line on +353 1 612 9948 or email to talksandlectures@imma.ie

.all hawaii eNtrées / luNar reGGae  continues until 25 February 2007. Admission is free.

Opening hours:
Tuesday to Saturday 10.00am-5.30pm
except Wednesday 10.30am-5.30pm
Sundays and Bank Holidays 12 noon- 5.30pm
Mondays Closed
Christmas Opening Hours:  24 – 26 December Closed
27 December – 1 January 12noon – 5.30pm

For further information and images please contact Monica Cullinane or Patrice Molloy at Tel: +353 1 612 9900; Email: press@imma.ie

6 November 2006

 

Footer Navigation 4

4.1. Press Office
4.2. Corporate Events
4.3. Customer Charter
4.4. Sitemap
4.5. Print Version

 

Change Text Only Settings

Graphic version of this page