Irish Museum of Modern Art
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Alexander Calder, The Tall One, 1968, Sheet metal, bolts, and paint, 366 x 239 x 239 cm, Courtesy Calder Foundation, New York
Joan Miró, Personnage (Personage), 1967, Painted bronze (lost-wax casting): Fonderie T. Clementi, Meudon, Paris, 217 x 47 x 39 cm, Courtesy Succession Miró, Palma de Mallorca, and Galerie Lelong, Paris
Alexander Calder, Funghi Neri (Black mushrooms), 1957, Sheet metal, bolts, and paint, 284.5 x 231.1 x 182.9 cm, Courtesy Calder Foundation, New York
Born in Barcelona, Joan Miró (1893-1983) is widely recognised for his immense contribution to Surrealist and Modern art. His enormously varied body of work, drawn from the realm of memory and imaginative fantasy and created over 75 years, is among the most original of the 20th-century. Miró paintings are instantly recognisable from their distinctive use of bright colours – especially blue, red, yellow, green and black – and their unaffected mixture of childlike innocence and artistic sophistication. Sculpture was a major focus of his work in the 1960s and ‘70s, both painted sculptures and bronzes. He also worked in a wide variety of other media, including etchings, watercolours and collage.
Born in Pennsylvania, Alexander Calder (1898 – 1976) was one of the most innovative and influential sculptors of the 20th-century. Calder developed a new method of sculpting by bending and twisting wire - he essentially “drew” three-dimensional figures in space. He is renowned for his striking mobiles, whose suspended, abstract elements move and balance in changing harmony. Calder also made large outdoor sculptures from bolted sheet steel for public buildings and spaces. He is also noted for his book illustrations and stage sets. In 1977 he was awarded the Presidential Medal of Freedom, the United States’ highest civilian honour, by President Gerald Ford.
The exhibition is accompanied by a fully-illustrated catalogue with texts by Emilio Fernandez Miró, grandson of Joan Miró and administrator of the Miró Estate, and Dr Elizabeth Hutton Turner, Senior Curator of the Phillips Collection in Washington and an expert on early 20th-century art. It included views of the works installed at IMMA. To buy the catalogue click arrow link" hspace="0" src="/en/siteimages/arrow2.gif" align="baseline" border="0" /> here
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arrow link" hspace="0" src="/en/siteimages/arrow2.gif" align="baseline" border="0" /> Press Release
To buy the catalogue for this exhibition click arrow link" hspace="0" src="/en/siteimages/arrow2.gif" align="baseline" border="0" /> here
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