Irish Museum of Modern Art
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Alexander Alberro, Conceptual Art and the Politics of Publicity , Cambridge, MA: The MIT Press, 2003.
Alexander Alberro and Blake Stimson (eds.), Conceptual Art: A Critical Anthology , Cambridge, MA: The MIT Press, 1999.
Gregory Battcock (ed.), Idea Art: A Critical Anthology , New York: E. P. Dutton, 1973.
Michael Corris, Conceptual Art: Theory, Myth, and Practice , Cambridge University Press, 2004.
Luis Camnitzer, Jane Farver, and Rachel Weiss (eds.), Global Conceptualism: Points of Origin 1950s-1980s , Queens Museum of Art, New York, 1999.
Frances Colpitt, Knowledge: Aspects of Conceptual Art , Seattle, WA: University of Washington Press, 1992.
Tony Godfrey, Conceptual Art , Phaidon Press, 1998.
Peter Goldie and Elisabeth Schellekens (eds.), Philosophy and Conceptual Art , Clarendon Press Gloustershire, 2007.
Klaus Honnef, Concept Art , Cologne: Phaidon, 1971.
Liz Kotz, Words to be Looked At: Language in 1960 Art , Cambridge, MA: The MIT Press, 2007.
Lucy Lippard, Six Years: The Dematerialization of the Art Object from 1966 to 1972 , Berkeley: University of California Press, 1997.
Daniel Marzona, Conceptual Art , Cologne: Taschen, 2005.
Ursula Meyer, Conceptual Art , New York: E.P. Dutton, 1972.
Robert C. Morgan, Between Modernism and Conceptual Art: A Critical Response , Jefferson, NC: McFarland & Co., 1997.
Catherine Moseley, Conception: Conceptual Documents 1968 to 1972 , Birmingham: ARTicle Press, 2002.
Michael Newman and Jon Bird (eds.), Rewriting Conceptual Art , London: Reaktion,1999.
Peter Osborne, Conceptual Art , Phaidon Press, 2002.
Anne Rorimer, New Art in the 60s and 70s: Redefining Reality , Thames & Hudson, 2004.
Paul Wood (ed.), Now they are. Texts of Paul Wood and Art & Language , Brussels: Editions Labor et Galerie Isy Brachot, 1992.
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