Irish Museum of Modern Art
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Bruce Altshuler, The Avant-Garde in Exhibition: New Art in the Twentieth Century , New York: Harry N. Abrams, 1994.
Gaston Bachelard, The Poetics of Space , Boston: Beacon Press, 1994.
Emma Barker (ed.), Contemporary Cultures of Display , London: Yale University Press in association with The Open University, 1999.
Andrew Benjamin (ed.), Installation Art , London: Academy Editions, 1993.
Claire Bishop, Installation Art: A Critical History , London: Tate Publishing, 2005.
Nicolas Bourriaud, Relational Aesthetics , Dijon: Les Presses du Réel, 1998.
Martha Buskirk, The Contingent Object of Contemporary Art , Cambridge, MA and London: MIT Press, 2003.
Nicolas De Oliveira, Nicola Oxley, Michael Petry and Michael Archer, Installation Art , Washington DC and London: Smithsonian Books, Thames & Hudson, 1996.
Nicolas De Oliveira, Nicola Oxley and Michael Petry, Installation Art in the New Millennium , London and New York: Thames & Hudson, 2003.
Claire Doherty (ed.), Contemporary Art: From Studio to Situation , London: Black Dog Publishing, 2004.
Editors of Phaidon Press, Vitamin 3-D: New Perspectives in Sculpture and Installation , London and New York: Phaidon Press, 2009.
Hal Foster, The Return of the Real: The Avant-Garde at the End of the Century , Cambridge, MA: MIT Press, 1996.
Roselee Goldberg, Performance: Live Art Since the ‘60s , London: Thames & Hudson, 2004.
Jennifer A. González, Subject to Display: Reframing Race in Contemporary Installation Art , Cambridge MA: The MIT Press, 2008.
Reesa Greenberg, Bruce W. Ferguson and Sandy Nairne (eds.), Thinking About Exhibitions , London and New York: Routledge, 1996.
Ilya Kabakov, On the “Total” Installation . Ostfildern: Hatje Cantz Verlag, 1995.
Lewis Kachur, Displaying the Marvelous. Marcel Duchamp, Salvador Dali and Surrealist Exhibition Installations , Cambridge MA: MIT Press, 2001.
Allan Kaprow, Assemblage, Environments & Happenings , New York: Harry N. Abrams, 1966.
Lucy R. Lippard, Six Years: The Dematerialisation of the Art Object from 1966 to 1972 , Berkeley: University of California Press, 1997.
Thomas McEvilley, Sculpture in the Age of Doubt , New York: Allworth Press, 1999.
Maurice Merleau-Ponty, Phenomenology of Perception , London: Routledge Classics, 2002.
Brian O’Doherty, Inside the White Cube: The Ideology of the Gallery Space , Berkeley: University of California Press, 2000.
Faye Ran, A History of Installation Art and the Development of New Art Forms: Technology and the Hermeneutics of Time and Space in Modern and Postmodern Art from Cubism to Installation , New York: Peter Lang Publishing, 2009.
John B. Ravenal, Artificial Light: New Light-based Sculpture and Installation Art , Virginia Museum of Fine Arts, 2008.
Julie H. Reiss, From Margin to Center: The Spaces of Installation Art , Cambridge, MA: MIT Press, 2001.
Mark Rosenthal, Understanding Installation Art: From Duchamp to Holzer , Munich: Prestel Publishing, 2003.
Erika Suderburg, Space, Site, Intervention: Situating Installation Art , University of Minnesota Press, 2000.
Linda Weintraub, Art on the Edge and Over: Searching for Art’s Meaning in Contemporary Society , 1970s – 1990s, Litchfield, CT: Art Insights Inc., 1997.
Database of Virtual Art
Documents the field of digital Installation Art.
(External)
www.virtualart.at
Digital Art Source
Resource site for digital art and culture information.
(External)
www.digitalartsource.com
Inside Installations
A three-year research project for the preservation and presentation of Installation Art (2004-2007).
(External)
www.inside-installations.org
InstallationArtists.org
A free online community for Installation Art.
(External)
www.installationartists.org
New Video Installation
An online review for new experimental film, video and Installation Art.
(External)
www.newvideoinstallation.com
Co-Lab
(External)
www.co-lab.ch
Furtherfield
(External)
www.furtherfield.org
ISEA
(External)
www.isea-web.org
WRO Center for Media Art
(External)
www.wrocenter.pl
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