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Roland Barthes, Camera Lucida: Reflections on Photography , trans. Richard Howard, New York: Hill and Wang, 1981.
Geoffrey Batchen, Burning with Desire: the Conception of Photography , Cambridge, MA: MIT Press, 1997.
Walter Benjamin, ‘The Work of Art in the Age of Mechanical Reproduction’ (1936), in Illuminations , London: Fontana, 1973, pp. 219-253.
Richard Bolton (ed.), The Contest of Meaning: Critical Histories of Photography , Cambridge, MA: MIT Press, 1989.
Victor Burgin (ed.), Thinking Photography , London: Macmillan, 1982.
David Campany (ed.), Art and Photography , London and New York: Phaidon Press, 2003.
Charlotte Cotton, The Photograph as Contemporary Art , London and New York: Thames and Hudson, 2004.
T. J. Demos, Vitamin Ph: New Perspectives on Photography , London: Phaidon Press, 2006.
Emma Dexter and Thomas Weski (eds.), Cruel and Tender: The Real in Twentieth-Century Photography , London: Tate, 2003.
Steve Edwards, Photography: A Very Short Introduction , Oxford and New York: Oxford University Press, 2006.
Jessica Evans (ed.), The Camerawork Essays: Context and Meaning in Photography , London: Rivers Oram Press, 1997.
Vilem Flusser, Towards a Philosophy of Photography , London: Reaktion Books, 2000.
Michael Fried, Why Photography Matters as Art as Never Before , New Haven, CT: Yale University Press, 2008.
Michel Frizot, A New History of Photography , Cologne: Konemann, 1998.
Martin Lister (ed.), The Photographic Image in Digital Culture , London: Routledge, 1995.
J. J. Long, Andrea Noble and Edward Welch (eds.), Photography: Theoretical Shapshots , London and New York: Routledge, 2009.
Nathan Lyons (ed.), Photographers on Photography: A Critical Anthology , Englewood Cliffs, NJ: Prentice Hall, 1966.
Mary Warner Marien, Photography: A Cultural History , Upper Saddle River, NJ: Prentice Hall, 2002.
W. J. T. Mitchell, Iconography: Image, Text, Ideology , Chicago: University of Chicago Press, 1986.
Beaumont Newhall, The History of Photography: From 1839 to the Present Day , New York: The Museum of Modern Art, 1982.
Fred Ritchin, After Photography , London and New York: W. W. Norton, 2009.
Naomi Rosenblum, A World History of Photography , New York: Abbeville Press, 1997.
Aaron Scharf, Art and Photography , Harmondsworth: Penguin, 1974.
Stephen Shore, The Nature of Photographs , London: Phaidon Press, 2007.
Susan Sontag, On Photography , New York: Farrar, Straus and Giroux, 1977.
John Szarkowski, The Photographer’s Eye , New York: The Museum of Modern Art, 2007.
John Tagg, The Disciplinary Frame: Photographic Truths and the Capture of Meaning , Minneapolis: University of Minnesota, 2009.
Alan Trachtenberg (ed.), Classical Essays on Photography , New Haven: Leete’s Island Books, 1980.
Liz Wells (ed.), The Photography Reader , London: Routledge, 2002.
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Visa Pour l’Image, Perpignan, France
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