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Michael Craig-Martin: Works 1964 - 2006

This exhibition is a large-scale retrospective of the work of the internationally-acclaimed painter and installation artist Michael Craig-Martin. This is only the second retrospective of Craig-Martinís work; the first took place in 1989 at the Whitechapel Art Gallery, London. The exhibition comprises some 50 works which span Craig-Martinís entire career and includes sculptures, wall-drawings, text pieces, neon works, paintings and a newly commissioned wall painting in the courtyard at IMMA. Craig-Martinís early practice involved the use of ready-mades, inspired by Marcel Duchamp, such as in the iconic conceptual work An Oak Tree, 1973. During the 1990s the focus of his work shifted to painting, and to increasingly complex site-specific wall paintings. The use of ready-mades in his earlier work developed into the depiction of ready-mades in his new practice. The earliest work in the exhibition Film, 1963, is Craig-Martinís only film work to date and was made in Connemara while he was a student at Yale.

Michael Craig-Martin, Learning, 1996, acrylic on canvas, 367 x 245 cm, Courtesy the artistMichael Craig-Martin, Eye of the Storm, 2003, Acrylic on Canvas, 335.3 x 279.4 cm, Collection Irish Museum of Modern Art, Purchase, 2005Michael Craig-Martin, Heat, 2000, Acrylic on canvas, 213.4 x 320cm, Courtesy GLG Partners

Born in Dublin in 1941, Craig-Martin was brought up in the United States and educated at Yale. He returned to Europe in the mid-Ď60s, where he became one of the key figures of the first generation of British conceptual artists. As Professor of Fine Art in Goldsmiths College, London, in the 1970s and 80s, Craig-Martin was a key influence on the yBa generation of artists Ė Tracey Emin, Damien Hirst, Gary Hume, Sarah Lucas and many more. He has shown in numerous solo and group exhibitions both in Britain and internationally. He has produced installations for the Projects exhibition series at the Museum of Modern Art, New York, 1991, and at the Centre Pompidou in Paris, 1994. In 1993 he returned to Goldsmiths College as Millard Professor of Fine Art and in 1998 he represented Britain at the Bienal de S„o Paulo in Brazil.

Michael Craig-Martin, Courtyard Installation, IMMA, 2006, Courtesy the artist, Photo © Denis MortellMichael Craig-Martin, Courtyard Installation, IMMA, 2006, Courtesy the artist, Photo © Denis MortellThe exhibition is presented in association with

An illustrated book written by award-winning art critic, historian, broadcaster and curator Richard Cork, accompanies the exhibition. The book is published by Thames & Hudson in association with IMMA (price €35.00). To buy the book click >arrow linkhere

The exhibition is also be accompanied by an interview book. This is one in a new series of interviews, artistsí statements and essays, being published by IMMA, which will form a collectable edition on Irish and international artists. Michael Craig-Martin is interviewed by Rachael Thomas, Senior Curator: Head of Exhibitions, IMMA.

Related Links

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A Limited Edition print by Michael Craig-Martin is available to buy, please follow the link to >arrow linkIMMA Edition: Michael Craig-Martin

To buy the catalogue from this exhibition click >arrow linkhere

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