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Michael KliŽn: Silent Witness/A Dancing Man, A series of Diptychs in time

4 Ė 9 October 2011, East Wing, Ground Floor† Galleries

Michael KliŽn, Silent Witness/A Dancing Man, 2011. Photo ©Christina Gangos

In SILENT WITNESS/A DANCING MAN Austrian choreographer Michael KliŽn presents a response, in the form of a performance, to the workings of Irelandís legislature, based on his personal observations and on his interaction with a range of individuals during his stay.

As the title implies, the work consists of two distinct elements. SILENT WITNESS refers to KliŽnís period in the DŠil during which time he took on no specific role beyond that of an observer in unfamiliar territory, studying the structures of daily life in the legislature and the means and manner in which it organises its affairs. KliŽnís access to the Houses of the Oireachtas was facilitated by Jan OíSullivan, Minister of State for Trade and Development, and Mark Mulqueen, Head of Communications at the Houses of the Oireachtas, as well as Superintendent Paul Conway.

A DANCING MAN refers to KliŽnís choreographic response, expressed through live performance in the galleries at IMMA, to his experiences in DŠil …ireann. These performance sessions will last throughout the Museumís opening hours, with the exception of occasional breaks and possible interactions with exhibition visitors.†

KliŽn plans to carry out similar experiments on Chinaís production lines and in the New Yorkís Stock Exchange over the coming year.††

Since his early 20s, KliŽnís work has been concerned with the theoretical and practical development of choreography. Committed to deconstructing our assumptions on choreography, dance and culture, he has set out to redevelop choreography as an autonomous artistic discipline concerned with the workings of patterns, dynamics and ecologies. Responding to the many urgent issues facing our contemporary environment, this new conception of choreography harnesses its social potential to pursue conditions where new orders of human relations and patterns can emerge.†

Michael KliŽn, Silent Witness/A Dancing Man, 2011. Photo © Christina Gangos

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