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Rivane Neuenschwander at the Irish Museum of Modern Art
A major mid-career survey of the work of leading Brazilian artist Rivane Neuenschwander opens to the public in the New Galleries at the Irish Museum of Modern Art (IMMA) on Wednesday 16 November 2011. Covering the period since 2000, Rivane Neuenschwander: A Day Like Any Other highlights the artist’s unique contribution to Brazilian Conceptualism and reveals a wide-ranging interdisciplinary practice, which includes painting, photography, film, sculpture, collaborative actions and participatory events.
A variety of elements inform Neuenschwander’s work – the nature of time, the fragility of life, cycles of existence and the delicacy of human exchange. Motifs such as circles and ovals are of primary importance, together with drops of water, bubbles, hole-punched confetti, constellations and cascading zeros. These act sometimes as soundtracks or symbols of fragility, trail markers or life sources, symbols of the natural world or the feminine principle. Much of her oeuvre is about measuring passing time, in calendars that both mark the past and anticipate the future. Her maps, whether tracking visitors’ paths through the exhibition or presenting the blurred boundaries exposed to the elements during the rainy season, are about creating new geographies for new explorations.
The exhibition also contains several series of new paintings and the film The Tenant, 2010, following the journey of a soap bubble as it wanders through a deserted house in a permanent state of suspension. It also includes sculptures made by customers during conversations at bars and restaurants in Brazil.
Rivane Neuenschwander was born in 1967 in Belo Horizonte, Brazil, where she currently lives and works. She has exhibited internationally over the past 20 years, including solo exhibitions at the South London Gallery; Palais de Tokyo, Paris; the Walker Center, Minneapolis; Portikus, Frankfurt, and Museu de Arte da Pampulha, Belo Horizonte. She had also shown in a number of group exhibitions in Europe and the US, and in a number of biennials, including the Liverpool Biennial in 1999, the Havana Biennial in 2006, the Venice Biennale in 2005 and the São Paulo Biennial in 2006.
The exhibition is curated by Richard Flood, Chief Curator at the New Museum, New York, and is organised by the New Museum in collaboration with IMMA.
A fully-illustrated catalogue accompanies the exhibition.
The exhibition originated at the New Museum, and has also travelled to the Mildred Lane Kemper Art Museum, Washington University in St Louis, Missouri; Scottsdale Museum of Contemporary Art, Scottsdale, Arizona, and Miami Art Museum, Miami, Florida.
The exhibition is supported by Inhotim and Rhatigan Commerical Development Ltd.
The exhibition continues in the New Galleries until 29 January 2012. Admission is free.
For further information and images please contact Monica Cullinane or Patrice Molloy at tel: + 353 1 612 9900; email: firstname.lastname@example.org
8 November 2011
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