Exhibitions > Past Exhibitions
Grace Weir, 3 Different Nights, recurring
7 November 2015 – 28 March 2016
Grace Weir, Dark Room (film still), 2015, HD video, 7'30", Courtesy of the artist
"Weir’s recent output is staggeringly good and the exhibition, to its credit, recognizes this. It avoids the evenly paced retrospective as curatorial form and instead foregrounds a body of works alive in the present. Weir’s time is now." - Frieze
"...a thought-provoking show that brilliantly balances scientific and philosophical rigor with aesthetic grace."- artforum
IMMA presents the first Museum exhibition by one of Ireland’s most compelling and respected artists Grace Weir. 3 Different Nights, recurring is the largest exhibition of Grace Weir’s work to date, comprising some 30 works including three major new film commissions, A Reflection on Light, Black Square and Dark Room, and two new series of paper works, The history of light (Betelgeuse) and Future Perfect. These new pieces are presented with complementary works that together span over 20 years of Weir’s creative output.
Working primarily in the moving image and installation, Weir is concerned with aligning conceptual knowledge and theory with a lived experience of the world. She probes the very concept of a fixed identity and her unique approach to research is based on a series of open conversations and experiments with scientists, philosophers and practitioners from other disciplines.
Interested in those moments in time before definition occurs, Weir's works in the exhibition also explore the dynamic of practice and representation. For Weir meaning becomes tangible through activity and the works make reference to both the act of making and the mediums in which they are made, including where time itself forms the work. The exhibition title 3 different nights, recurring references a note made on a Whirlpool galaxy drawing by William Parson’s in mid 1840s. Pre-dating photography, the drawing was repeated over three nights as a form of proof of his discovery of the spiral nature of galaxies.
Presented as an activated project 3 Different Nights, recurring will develop while at IMMA. The research informing the new work will be developed and made evident with a series of performative lectures and experiments, connecting the audience with the scientific explorations and collaborations that underpin Weir’s work.
The exhibition is presented as part of an exciting new initiative, New Art at IMMA, proudly supported by Matheson, which allows IMMA to continue to support this vital work in a strand of programming that recognises and nurtures new and emerging talents, new thinking and new forms of exhibition-making.
Three film works receive their premiere in IMMA during this exhibition. A Reflection of Light travels across different locations and histories that surround the hanging of a painting by Mainie Jellett titled ‘Let there be Light’ in the School of Physics in Trinity College Dublin. Having studied under the founder or cubism Albert Gleizes Jellett became one of the key Irish Modernist painters. Her grandfather and uncle were both physicists, the latter stating the Lorentz-FitzGerald Postulate which was a major step towards Einstein’s Theory of Relativity in 1905. Filmed in Mainie’s former house on Fitzwilliam Square, the New Galleries at IMMA and a number of spaces in Trinity College Dublin, the film weaves together events from across time that have brought the painting to this particular location, traversing different fields and disciplines to present a wider context to the concerns of the painting.
The film Black Square explores the making of an image of the black hole that lies in the exact centre of the Milky Way Galaxy. Black in a black sky, these holes are one of the last unknowns in physics. Documenting the film crew as they journey across the Atacama Desert in Chile to the Very Large Telescope at the top of Cerro Paranal, where the astronomy team are at work, the film travels to the edge of comprehension, reaching the limits of our ability to both understand and to represent something. Black Square explores the dynamic between what can be understood and what cannot, a mobile threshold where intuition meets calculation, and the limitations of representation in such a place.
The third new film work; Dark Room, was filmed in both Mary Rosse’s original darkroom in Birr Castle which had lain untouched within the Castle from the middle of the nineteenth century and in the reconstruction of this darkroom in the Science Centre in the Castle’s grounds where the entire contents have been moved and reconstructed by conservators. Mary Rosse was a pioneer in photography in Ireland in the 1850s. The two different films, one filmed in the original space and the reconstructed version in the reconstructed space, are shown side by side forming an ambiguous entity whose lucidity comes in and out of clarity. Dark Room oscillates between the harmony and dissonance of memory and its mediation through photography.
About the Artist
Grace Weir represented Ireland at the 49th International Venice Biennale and has exhibited widely nationally and internationally. She is currently Artist-in-Residence in the School Of Physics, Trinity College Dublin. As part of the IMMA Collection her film work Dust Defying Gravity, 2003, has been shown since its purchase in 2004 in many group exhibitions and beyond IMMA in venues across the country.
Working primarily in the moving image, Grace Weir makes a critical appraisal of film through film-making, in a practice that fuses documentation with highly authored situations. Weir probes the nature of a fixed identity and these questions are underpinned by the theories under her scrutiny, whether it is relativity, intentionality, film theory, the duality of light or the philosophy of time and history. She is interested in issues that are not unspecified because something is missing but because of their nature and content. Weir is interested in the slippages between the conceptual and experiential in different fields of enquiry. She examines how the imperfect world of direct experience plays a role in our understanding of theoretical concepts. Researching facts not as self evident objects in the world but as processes, Weir takes a transdisciplinary approach in her research. The resulting work is wide ranging, from structural cinematic works to 'footnote' videos, web projects and installations.
There will be an exclusive IMMA Edition by the artist and an extensive catalogue to accompany the exhibition with essays by Sam Thorne, Peter Brooke and Caoimhín Mac Giolla Leith among others.
Associated Talks and Events
Artists Discussion | Grace Weir
Critical Response | Francis McKee
A reflection on light, presented by Grace Weir at Trinity College, Dublin.
Read the exhibition guide for 3 Different Nights, recurring
Listen to artist Grace Weir discuss her exhibition alongside Rachael Thomas, Head of Exhibitions, IMMA, and Victoria Evans, Assistant Curator, IMMA.
Read a review of the exhibition in Artforum's Critics' Picks.
Review in the April issue of Frieze Magazine.
Read a review from Aidan Dunne of The Irish Times.
Read a review in Le Cool
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