Exhibitions > Past Exhibitions
Hennessy Art Fund for IMMA Collection
13 July 2017 - 26 November 2017
Hennessy Ireland and IMMA have announced the four artists whose works have been selected to be purchased by The Hennessy Art Fund for IMMA Collection 2017. Ciarán Murphy, Maireád McClean, Mark Garry and Yuri Pattison see their works added to the IMMA National Collection of Contemporary and Modern Art and join the company of esteemed artists such as Louis le Brocquy, Patrick Scott and Katie Holten.
In 2016 Hennessy Ireland formed a unique partnership with IMMA to help fund the purchase of important works by Irish and Irish based artists for the National Collection. Works are sought that show excellence and innovation within contemporary art developments, and which represent a signal moment of achievement with the artist’s practice and capture a moment in time of Irish culture. They must also have been made within the previous five years.
Artists are nominated by a selection panel, including IMMA Director, Sarah Glennie and Head of Collections, Christina Kennedy and independent guest curator, Roscommon based visual artist Linda Shevlin. Linda has curated, facilitated and managed both large and small-scale visual arts projects including the 53rd Venice Biennale where she was project manager for the representative artists Gareth Kennedy & Sarah Browne and Radical Actions at RMIT Galleries, Melbourne as part of Culture Ireland’s 2016 international programme I Am Ireland. Final recommendations are approved by the IMMA Collection & Acquisitions Committee, in line with IMMA’s Collection policy. The inaugural Hennessy Art Fund for IMMA Collection saw works by artists Kevin Atherton, David Beattie, Rhona Byrne and Dennis McNulty selected.
Since the first solo presentation of Ciarán Murphy’s paintings in Dublin in 2005 his work has achieved considerable national and international critical success, with solo exhibitions in Kavi Gupta Gallery Chicago, Grimm Gallery Amsterdam and Douglas Hyde Gallery Dublin; the work of Mairéad McClean, who grew up in Tyrone and has been based in London for the past 25 years, disrupts and restructures events from the past highlighting the unreliability of history; Mark Garry’s practice stems from and is informed by a number of diverse fields of research, which inform his interest in observing and engaging with the many mechanisms that influence and effect how one navigates the world and the complexity and subjectivity inherent in these navigations; while Dubliner Yuri Pattison is described as a tireless, natural thinker at the forefront of a group of emerging artists whose practices, in an inherently 21st century manner, are informed by a seamless merger of hard and soft realities.
The Hennessy Art Fund for IMMA Collection 2017 Artists:
Born in 1978, in Mayo, Ciarán Murphy now lives and works in Kilkenny. His enigmatic paintings take their starting point from a wide-ranging and ever growing archive of images found, collected and carefully arranged into categories by the artist. This unseen archive forms the backbone that haunts the finished works. Through a process of editing, erasing, overwriting or simply replacing what has been painted and unpainted, the work leaves a sense that is not quite of loss, or absence, but rather the presence of a non-thing. Visit Ciarán Murphy's Website.
Born in Beragh, Co Tyrone, Northern Ireland Mairéad McClean has lived and worked for the past 25 years in London. She is artist and filmmaker whose work disrupts and restructures events from the past, highlighting the unreliability of both history and memory. Through the use of sound, still and moving image, material evidence is re-opened and re-examined and a new vantage point is created. She is an award-winning filmmaker who has produced work around the themes of memory, identity and migration. Her most recent video No More, won the inaugural MAC International Art Prize in Oct 2014. Visit Mairéad McClean's Website.
Born in Mullingar in 1972, Mark Garry is driven by a fundamental interest in observing how humans navigate the world and the subjectivity inherent in these navigations. He uses a variety of media and mechanisms in his practice, primarily focusing on institution-based installations. These delicate site-specific installations are measured and meticulous systems of construction, combining physical, visual, sensory and empathetic analogues, creating arrangements of elements that intersect the space and form relationships between a given room and each other. They incorporate a specific range of natural and craft materials and processes such as plants, thread, beads, woodcarvings and manufactured materials such as coloured contact, origami, and mechanical musical mechanisms. Visit Mark Garry's webpage on the Kerlin Gallery website.
Born in Dublin in 1986 Yuri Pattison now lives and works in London. He is a tireless, natural thinker at the forefront of a group of emerging artists / intellectuals whose practices, in an inherently 21st century manner, are informed by a seamless merger of hard and soft realities. He works in sculpture and digital media, exploring the visual culture of digital economies and the natures of online/offline skill sharing. Typical, recent examples of his artworks thoughtfully list medium and/or displayed interior contents. Visit Yuri Pattison's Website.
Linda Shevlin, Guest Curator
Linda Shevlin is an independent curator and visual artist based in Co. Roscommon, Ireland. Since graduating with honours from the Masters in Visual Arts Practices, IADT, Linda has curated, facilitated and managed both large and small-scale visual arts projects. She has been awarded the Arts Council of Ireland’s Visual Arts Curatorial Residency award for three consecutive years (2013 - 2016) and in that time has produced a series of events and exhibitions in County Roscommon including newly commissioned works by Maria McKinney (IE) and Sean Lynch (IE); public art projects by Sean Rafferty (AUS), Ruth E. Lyons (IE) and Deirdre O’Mahony (IE), exhibitions by Martin Parr (IE), Duncan Campbell (IE) & Eamon O’Kane (IE) and a symposium titled The Workers with contributions from Adam Sutherland of Grizedale Arts (UK) & M12 Collective (USA) among others. In 2017 she is co-curating the visual art programme for Bealtaine Festival with festival director Tara Byrne. Visit Linda Shevlin's Website.
Immersed in Irish heritage, Hennessy has evolved to become one of Ireland’s most well-known and cherished brands. Founded in Cognac, France in 1765 by Corkonian Richard Hennessy, the brand’s distinctly Irish heritage has stood the test of time and today draws on over 250 years of knowledge, talent, expertise and passion. It is a brand that is intrinsically linked to the Irish way of life and is complemented by Hennessy’s commitment to Ireland’s unique sociability and skill in creating unforgettable experiences. Hennessy’s Savoir-Faire is evident from its unique heritage, tradition and exceptional craftsmanship which create Hennessy Cognac. Though the Hennessy brand has evolved throughout the years, the true art form of its traditions and methods remains timeless.
Artists’ Discussion: Hennessy Art Fund for IMMA Collection
Wednesday 4 October 2017, 6.30 – 7.30pm / Lecture Room
Christina Kennedy, Head of Collections, IMMA invites artists Ciarán Murphy, Mairéad McClean and Mark Garry to discuss the thinking and making behind the specific artworks funded this year by Hennessy for IMMA’s Collection 2017. In the context of their individual practices, the artist panel considers new directions in their practice and what it means to have work featured and preserved alongside a National Collection of Contemporary and Modern Art. Listen back to this talk.
Read and download the Exhibition Guide (pdf)
Read more about the 2016 selection including Kevin Atherton, David Beattie, Rhona Byrne and Dennis McNulty, on our website.
Read a review of The Hennessy Art Fund for IMMA Collection 2017 exhibition in Totally Dublin.
Read an article by Christina Kennedy, Senior Curator: Head of Collections at IMMA, for RTE Culture.
Read a review of this exhibition by Gemma Tipton in The Irish Times.
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