IMMA takes art onto the streets of Dublin as part of the exhibition What We Call Love
IMMA will be providing a moment of contemplation amongst the frenzy of Christmas advertising with the artwork “Untitled” (The New Plan), 1991, by Cuban-born American artist Felix Gonzalez-Torres (1957-1996). As part of the exhibition What We Call Love: From Surrealism to Now (12 Sep 2015 – 7 Feb 2016) Gonzalez-Torres’ artwork will be presented on six billboards across six sites within Dublin city centre normally used for prime advertising space.
15 Dec 2015
Seamus Nolan: F**K IMMA │ What We Call Love
As part of the exhibition What We Call Love: From Surrealism to Now (12 Sep 2015– 7 Feb 2016), IMMA is delighted to present F**K IMMA (2015) a new commission by Irish Artist Seamus Nolan (Hotel Ballymun, 10th President).
What We Call Love: From Surrealism to Now at IMMA
In September, the Irish Museum of Modern Art (IMMA) presents one of its most ambitious and compelling shows ever, tackling a subject that is part of everyone’s lives: LOVE. What We Call Love: From Surrealism to Now explores how the notion of love has evolved within the 20th and 21st centuries. How have seismic sociological changes concerning sexuality, marriage and intimacy, alongside developments in gender issues, affected the way we conceive of love? How does visual art, from Surrealism to the present day, deal with love and what can these artistic representations tell us about what love means in our current culture?
21 Jul 2015
El Lissitzky: The Artist and the State
IMMA presents El Lissitzky: The Artist and the State, as we approach the centenary of Ireland’s Easter Rising and reflect on the vibrant artistic and cultural community who gave voice to a new image for the emerging state and a visual language for its’ politics. This exhibition places this local reflection within a broader global consideration of the role of artists in the imagination of emergent states of the early 20th century and a contemporary reflection on the task of the artist in relation to civil society.